Pale Writer

B3BrIWPCcAEXoZc

As many know, Alfred Hitchcock making Psycho was never a sure thing. The studio, and apparently his wife, weren’t too keen on the Master of Suspense adapting a novel that people thought was cheap sensationalism. Robert Bloch’s book was based on the infamous Ed Gein murders, which had been grisly national news a few years before. Like Norman Bates, Ed Gein had an unhealthy relationship with his mother, who he later dug up and kept in his house as his sole companion. But Hitchcock saw great potential in the story, an opportunity to make an entirely new kind of film, one that, like Val Lewton’s The Leopard Man, explored the darker, terribly lonely and compulsive urges of the serial killer.

View original post 826 more words

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s